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When I was a young fashion assistant with next to no income, I recall being flabbergasted when I overheard a colleague describing her newly purchased Louis Vuitton Speedy bag. “It’s OK,” she said, “I’ll use it as a gym bag.” I couldn’t believe that a fashion editor would describe a classic Louis Vuitton handbag (or anything from the famed design house) as only “OK.” At the time, I was scrimping and saving to be able to buy the much smaller (and much less expensive) pouch. When I had saved enough money I proudly walked into the store, and even though my purchase was peanuts to the salespeople, I received the royal treatment and couldn’t have been more excited about my Vuitton bag (and the fancy dustbag that came with it!).

Zeitgeisty stuff, mostly things you can buy. Lifestyle.Michael Williams on his hit blog, A Continuous LeanThe blog should be hyper louis vuitton monogram macassar canvas focused, nicheTalking to successful bloggers, guys who can or could live off of the louis vuitton speedy doctor bag revenue their blogs generate (directly or indirectly), I whittled down three maxims that can help us understand this whole blog thing: What it is, where it’s going, and how louis vuitton keepall monogram 55 to be successful at it the whole telos of the thing.Maxim No.

What began with the Queen’s horror at finding that the TV production company RDF had edited tape to imply she had stormed out of a photoshoot with Annie Leibovitz, now encompasses underwater footage from the blockbuster film Titanic used by Russian news channels to “sex up” reports of claiming the louis vuitton tie pink North Pole; then there’s the misleading marketing of a documentary about Alzheimer’s to suggest a death had taken place on camera when it hadn’t; and even a Discovery Channel volcano hunter who used dry ice to add a little extra drama to on camera lava flows. The television industry is now under pressure to be able to verify all material. Editors and producers are wondering whether this scrutiny could be to the detriment of pithy story telling and the entire notion of the “edit”, which by definition warps the “reality” recorded on film if you can describe the studied way human beings behave in front of a camera as ” real”.

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